© David Noles
La Bohéme, HANDA Opera on Sydney Harbour, Opera Australia
“…Sustaining a focused, richly coloured timbre, baritone Samuel Dundas was an energetic and sympathetic Marcello.”
Murray Black, The Australian, March 23 2018
“…Popular baritone Dundas completes the journey from Young Artist to true leading man, delivering a magnetic, involving performance. Of all the singers, Dundas’ voice seems best suited to the microphones, resulting in his vocals being the most impressive in a cast of highly capable singers.”
Simon Parris, simonparrismaninchair.com, March 23 2018
Pagliacci, Opera Australia
“…baritone Samuel Dundas was a fervent, clear-voiced Silvio…”
Murray Black, The Australian January 2017
Carmina Burana, West Australian Symphony Orchestra
“….Lavish laurels to baritone Samuel Dundas; his singing was the chief joy of the performance. I cannot too highly praise his artistry. It was a model of its kind, with finely fashioned phrases and spot-on pitch”.
Neville Cohn, The West Australian, June 2015
The Magic Flute, Opera Australia
“…Samuel Dundas found an affectionate tone of self-deprecating ordinariness as Papageno, singing with assured mellifluousness…”
Peter McCallum, Sydney Morning Herald, January 2015
The Turk in Italy, Opera Australia
“As Prosdocimo, Samuel Dundas’s firm-voiced timbre and ironic detachment are spot-on…”
Murray Black, The Australian, January 2014
A graduate of the Melba Conservatorium of Music, Samuel Dundas’ performance experience encompasses opera, musical theatre and concert performances. He has sung in concert throughout Australia and New Zealand, including with the Adelaide, Melbourne, Tasmanian and West Australian Symphony Orchestras, the Australian Youth Orchestra and the Auckland Philharmonia Orchestra.
This year Samuel’s engagements will include multiple appearances at Tasmania’s Ten Days on the Island Festival in March, as well as taking the title role for both Victorian Opera and for State Opera South Australia in Richard Meale’s opera Voss.
In 2020 he performed the role of Marcello in La Boheme for Opera Australia, and appeared in the Chamber Landscapes series at Ukaria for Adelaide Festival, and at Opera in the Alps. He had also been engaged to return to both Victorian Opera for Frank/Fritz in Die tote Stadt, and to West Australian Opera for Guglielmo in Cosi fan tutte.
Samuel joined Opera Australia as a member of the Moffatt Oxenbould Young Artist program and subsequently became a principal artist with the company, where his many roles include Marcello (La Boheme), Guglielmo (Così fan tutte), Papageno and Priest (The Magic Flute), Dr Malatesta (Don Pasquale), Belcore (The Elixir of Love), Silvio (Pagliacci), Marquis (La Traviata), Prosdocimo (Il turco in Italia), Yamadori (Madama Butterfly), Masetto (Don Giovanni), Ceprano (Rigoletto), Pish Tush (The Mikado), Morales (Carmen), Gaoler (Tosca), Sid (Albert Herring), Fiorello, Ambrogio and Notary as well as covering Figaro (The Barber of Seville), Doctor/Inquisitor/Judge/Stanislaus (Candide), Handsome (La Fanciulla del West), Cascada (The Merry Widow) and Starveling (A Midsummer Night’s Dream). He has also taken the title role in Opera Australia’s Regional Tour of Don Giovanni and the roles of the High Priest, Politician and The Reporter in Sydney Opera House: The Opera, celebrating Opera Australia’s 60th Anniversary Season on the steps of the Sydney Opera House.
Further opera engagements include the title role in a new opera Ned Kelly (Styles) commissioned by Lost & Found Opera and Perth Festival; Dancairo and Morales in Carmen for State Opera South Australia; Count Carl Magnus Malcolm in A Little Night Music for Victorian Opera; Papageno (The Magic Flute) for New Zealand Opera; Marcello (La Bohème) for Handa Opera on Sydney Harbour; Enrico (Lucia di Lammermoor), Count Almaviva (The Marriage of Figaro) and Valentin (Faust) for West Australian Opera; Marcello in Hanoi, Vietnam and Morales and Mercutio (Romeo and Juliet) in concert performances with the Tasmanian Symphony Orchestra.
After making his operatic debut with Opera Queensland in 2005, Samuel went on to become a member of Victorian Opera’s Artist Development program. Roles he has performed with Victorian Opera include the title role in Don Giovanni, Papageno (The Magic Flute), Golaud (Pelléas et Mélisande), Harasta (The Cunning Little Vixen), Guglielmo (Così fan tutte), Belcore, Harlequin (Ariadne auf Naxos), the Second Soldier (The Love of the Nightingale), Creon/The Messenger (Oedipus Rex) and Chief Clerk (Metamorphosis), as well as Schaunard in the Puccini: The Sacred and Profane Gala concert.
Further concert engagements have included Fauré Requiem with the Sydney Symphony Orchestra Carmina Burana with the Adelaide and West Australian Symphony Orchestras, Fauré Requiem with the Melbourne Symphony Orchestra, Brahms Requiem with the Melbourne Symphony Orchestra Chorus and Sydney Philharmonia Choirs, Opera Under The Stars, Broome, and the inaugural concert at the Melbourne Recital Centre in Vaughan Williams’ Serenade to Music.
In 2013 Samuel won the Lady Fairfax New York Scholarship and in 2014 was the proud recipient of the inaugural Dame Heather Begg Award.
Samuel Dundas is managed by Graham Pushee: email@example.com
This biography is for general information purposes only and not for publication.
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