Robert Macfarlane


Management: Australasia and Non-Exclusive Asia

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Handel Belshazzar - Adelaide Philharmonia Chorus
"...Tenor robert Macfarlane...cut a strapping Belshazzar.  With diction to die for and a dynamic range rare in my experience.."
Vincent Plush, Limelight Magazine November 11 2017

The Coronation of Poppea, Lyric Opera
“…Robert Macfarlane’s performance alone is worth the price of the ticket……….he is a consummate performer of this type of music. Excellent control of a most pleasing tenor voice, complemented by an ebullient personality, enabled him to commit himself totally to characterising the multiple roles he undertook in this production”.
Heather Leviston, Classic Melbourne, 19 July 2017

The Japanese Pincess, Saint Saens, Lyric Opera Melbourne
“…Robert Macfarlane was well cast as Kornélis, using his light lyric tenor to great advantage to plumb the impetuous passions of the young art student."
Tony Way, Limelight Magazine March 13, 2017

Rossini,  Petite Messe Solennelle, Canberra International Music Festival  
“…Tenor, Robert MacFarlane sang with irresistible joy, unleashing operatic flourishes for the benefit of both God and the audience.”
Jennifer Gall, The Canberra Times, 4 May 2016

Lully’s Armide,  Göttingen
“…Robert Macfarlane brought a remarkable presence as Renaud, who also mastered the tricky top notes of his part without any effort."
Göttinger Tageblatt. November 2015

Israel in Egypt, Halberstadte Domfestspiel
“…the soloists impressed.  In particular Robert Macfarlane, who articulate tenor and great stage presence lent the text emphasis and power”., Sabine Scholz , June 8 2015

Semiramide –György Ligeti Saal, Graz
“Delightful as the wild Scythian was the Australian tenor Robert Macfarlane…Macfarlane gave a bravura performance.”
“Köstlich als wilder Skythe der australische Tenor Robert Macfarlane…Robert Macfarlane bestand bravourös.”
Kleine Zeitung, Graz, May 1, 2014

Handel’s Messiah – Canberra Choral Society
“Star of the show was Tenor Robert Macfarlane, whose unfailing enthusiasm was matched by a rich voice that filled the auditorium
Canberra Times, December 17, 2013

St John Passion - Adelaide Festival
"the star of the evening…was Robert Macfarlane as the Evangelist….. Not only did he perform this extremely demanding role with great dramatic variety of delivery and with impeccable diction, but his timing was almost theatrical…"
Australian Stage, Nicholas Routley, March 18, 2012

Handel - Messiah
"Comfort Ye has never sounded more reassuring, Thou Shalt Break Them more threatening, and Thy Rebuke more heartbreaking"
The Advertiser, Elizabeth Silsbury, December 2010. 

Schubert - Winterreise
"But then Robert Macfarlane is an unusual phenomenon, with a remarkable capacity for mastering works that would daunt most singers....The emotional arc of the performance was sustained without flagging for a moment. After the stunning climax of 'Die Nebensonnen' came the numbing, haunting conclusion of Der Leiermann. It was a memorable performance that left the audience and the performers emotionally drained."
The Advertiser, Stephen Whittington, October 2010

Robert Macfarlane studied at the Elder Conservatorium in Adelaide and subsequently at the Hochschule für Musik, Leipzig ‘Felix Mendelssohn-Bartoldy’ with Prof. Dr. Jeanette Favaro-Reuter, as recipient of the prestigious Thomas Elder Overseas Scholarship. He undertook extensive study of the Baroque repertoire with tenor Howard Crook and has also studied and performed with world-renowned accompanist Malcolm Martineau.  Robert Macfarlane was the winner of the Adelaide Critic’s Circle award for best individual performance in 2012 (Bach- St. John Passion), a finalist in the Lortzing Competition in Germany in 2013, and winner of the Royal Melbourne Philharmonic Aria competition in  2009. 

Most recently Robert made his debut with Opera de Lyon performing Tybalt in Boris Blacher’s Roméo et Juliette, and with the Auckland Philharmonia Orchestra in the role of Pong in Turandot. He also performed Israel in Egypt for the Halberstädter Domfestspiele, Bach St John Passion in Belgium and Rossini’s Petite Messe for Canberra International Music Festival along with his return to the Halberstädter Domfestspiele for Haydn’s The Seasons. 

His 2017 engagements included St Matthew Passion (Evangelist) with Sydney Philharmonia Choirs, The Japanese Princess and Coronation of Poppea for Lyric Opera, Carmina Burana and Belshazzar (Handel) with Adelaide Philharmonic Chorus and his debuts with Melbourne Symphony Orchestra in the Kats-Chernin version of the prologue to Monteverdi’s Orfeo and with the New Zealand Symphony Orchestra and Auckland Choral Society in Handel’s Messiah, as well as performances with The Song Company, Victoria Chorale and Royal Melbourne Philharmonic (Messiah). 

This year he returns to Woodend Winter Arts Festival, The Song Company for Brett Dean’s Hamlet at the Adelaide Festival and to Auckland Choral Society for Beethoven Mass in C. Robert also performs Evangelist in St Matthew Passion for Canberra Choral Society, First Elder in Susanna for Handel In The Theatre, Messiah for Perth Symphonic Chorus and sings Vogelgesang and covers David in Die Meistersinger von Nürnberg for State Opera of South Australia. 

Robert made his European Opera Debut in the virtuosic role of Ircano in Hasse’s Semiramide in Graz and Leipzig in 2014, for which he was highly acclaimed by the Austrian critics. On the opera stage, he has also sung Monostatos (The Magic Flute) for West Australian Opera; Orfeo (Peri’s Euridice) for Woodend Winter Arts Festival; the title role in Rameau's Pygmalion for the Peninsula Festival; Notary (La Sonnambula), Parpignol (La Boheme), Beppe (Pagliacci) and 3rd Jew (Salome) for State Opera of South Australia; Acis (Acis and Galatea) in Malaysia and Singapore; the roles of Echo and Pastore (and understudying the title role) in L'Orfeo with the Australian Brandenburg Orchestra for Brisbane Festival and in Sydney and Melbourne; and he has also performed with Pinchgut Opera, Lyric Opera of Melbourne and Co-Opera. 

Robert is known internationally for his performances of Bach, in particular the Evangelist of the St. John and St. Matthew Passions, and was the 2008 and 2009 Bach Scholar in the St. Johns Bach Cantata program in Melbourne. He made his debut in Leipzig’s Thomaskirche in 2013 as the tenor soloist in Bach’s Mass in B Minor, with the Gewandhaus Orchestra and Thomanerchor under the direction of Georg Christoph Biller, returning the following year to perform Wär Gott nicht bei uns diese Zeit. Other acclaimed concert performances include soloist in semi-staged performances of St. Matthew Passion for Opera Queensland; Britten St Nicolas with the Adelaide Symphony Orchestra; Mozart Great Mass in C minor at St George's Cathedral, Perth; Handel's Messiah and Solomon; Monteverdi’s Vespers at the Melbourne Recital Centre and the Adelaide Festival; Britten's Serenade and Les Illuminations; recitals of Schubert's Die Schöne Müllerin, Winterreise and Schwanengesang and Schumann's Dichterliebe and Liederkreis with pianist Leigh Harrold, Wolf’s Italienisches Liederbuch with Anthony Legge, and for ArtSong Canberra and The Firm in Adelaide. 

Robert also performs in the new music ensemble Duo Trystero with guitarist Aleksandr Tsiboulski, which has given the Australian premieres of works by Alec Roth, Wolfgang Fortner, Alexander Goehr and Paul Dessau and world premieres of works by David Kotlowy, Luke Altmann and Anne Cawrse.

Robert Macfarlane is managed by Graham Pushee: 
May 2018
   This biography is for general information purposes only and not for publication.
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