Samuel Dundas’ performance experience encompasses opera, music theatre and concert performances. He has sung in concert throughout Australia and New Zealand, including with the Sydney, Adelaide, Melbourne, Tasmanian, Queensland and West Australian Symphony Orchestras, the Australian Youth Orchestra and the Auckland Philharmonia Orchestra.
Major role debuts feature prominently in Samuel Dundas’ calendar this year, with Dandini (La Cenerentola) for Opera Queensland, Dr Falke (Die Fledermaus) for West Australian Symphony, Sharpless (Madama Butterfly) for West Australian Opera and Figaro (Il Barbiere di Siviglia) for Opera Australia. Samuel will also return to one of his key roles, Marcello (La Bohème) for both Opera Queensland and New Zealand Opera and to the Sydney Symphony for Beethoven’s Symphony No. 9 (Simone Young conducting) and to the Tasmanian Symphony for their Christmas Gala concert.
Samuel Dundas’ recent engagements include the role of Cave in Eucalyptus (Jonathan Mills) for Perth and Brisbane Festivals and for Victorian Opera; Horatio (Hamlet: Dean) and his role debut as Wolfram (Tannhäuser) for Opera Australia; Enrico in Lucia di Lammermoor for Opera Queensland; the Count (Capriccio) and the title role in Galileo (Richard Mills) for Victorian Opera; Marcello for West Australian Opera and Donner (Das Rheingold) for Sydney Symphony Orchestra, Simone Young conducting. On the concert platform he has been heard with the West Australian and Queensland Symphony Orchestras in Beethoven’s Symphony No. 9, Tasmanian Symphony in Haydn’s Harmony Mass, Tasmanian and West Australian Symphony Orchestras in Faure’s Requiem, and in the opening concert of Perth Festival, Music of the Spheres.
Samuel has also appeared in the role of Aphron in The Golden Cockerel for Adelaide Festival, as Marcello and the title role in Voss for State Opera South Australia, Marcello also for Opera Australia, Beethoven Symphony No. 9 and Mozart‘s Requiem for Tasmanian Symphony Orchestra, Carmina Burana for Festival of Voices, Hobart and Adelaide Symphony, Ebenezer Scrooge in A Christmas Carol for Victorian Opera, and given recitals including The Wanderer’s Life in Burnie, for the Ten Days on the Island Festival, for Tasmanian Symphony Orchestra, and in the Chamber Landscapes series at Ukaria for Adelaide Festival.
Samuel joined Opera Australia as a member of the Moffatt Oxenbould Young Artist program and subsequently became a principal artist with the company, where his many roles include Marcello, Guglielmo (Così fan tutte), Papageno and Priest (The Magic Flute), Dr Malatesta (Don Pasquale), Belcore (The Elixir of Love), Silvio (Pagliacci), Marquis (La Traviata), Prosdocimo (Il turco in Italia), Yamadori (Madama Butterfly), Masetto (Don Giovanni), Ceprano (Rigoletto), Pish Tush (The Mikado), Morales (Carmen), Gaoler (Tosca), Sid (Albert Herring), Fiorello, Ambrogio and Notary as well as covering Figaro (The Barber of Seville), Doctor/Inquisitor/Judge/Stanislaus (Candide), Handsome (La Fanciulla del West), Cascada (The Merry Widow) and Starveling (A Midsummer Night’s Dream). He has also taken the title role in Opera Australia’s Regional Tour of Don Giovanni and the roles of the High Priest, Politician and The Reporter in Sydney Opera House: The Opera, celebrating Opera Australia’s 60th Anniversary Season on the steps of the Sydney Opera House.
Further opera engagements include the title role in Ned Kelly (Styles) commissioned by Lost & Found Opera and Perth Festival; Dancairo and Morales in Carmen for State Opera South Australia; Count Carl Magnus Malcolm in A Little Night Music for Victorian Opera; Papageno for New Zealand Opera; Marcello for Handa Opera on Sydney Harbour; Enrico, Count Almaviva (The Marriage of Figaro) and Valentin (Faust) for West Australian Opera; Marcello in Hanoi, Vietnam and Morales and Mercutio (Romeo and Juliet) in concert performances with the Tasmanian Symphony Orchestra.
After making his operatic debut with Opera Queensland in 2005, Samuel went on to become a member of Victorian Opera’s Artist Development program. He has since performed the title role in Don Giovanni, Papageno, Golaud (Pelléas et Mélisande), Harasta (The Cunning Little Vixen), Guglielmo, Belcore, Harlequin (Ariadne auf Naxos), the Second Soldier (The Love of the Nightingale), Creon/The Messenger (Oedipus Rex) and Chief Clerk (Metamorphosis), as well as Schaunard in the Puccini: The Sacred and Profane Gala concert.
Further concert engagements have included Fauré Requiem with the Sydney and Melbourne Symphony Orchestras, Carmina Burana with the Adelaide and West Australian Symphony Orchestras, Brahms Requiem with the Melbourne Symphony Orchestra Chorus and Sydney Philharmonia Choirs, Opera Under The Stars, Broome, and the inaugural concert at the Melbourne Recital Centre in Vaughan Williams’ Serenade to Music.
Samuel Dundas is a graduate of the Melba Conservatorium of Music, winner of the Lady Fairfax New York Scholarship and was the proud recipient of the inaugural Dame Heather Begg Award. He is now a member of the vocal faculty at Hobart Conservatorium of Music.